Wedding Themes Simplify Planning and Get You Bang for Your Buck: 100 Favorite Wedding Themes

Adopting a theme for your wedding does more than express your personal style. Working with a theme "simplifies decision-making by focusing your choices, and it gives you the maximum bang for your buck because all the eleMents of the wedding will play off each other. To stir your theme-choosing imagination, here are my 100 favorite wedding themes and some of the details that bring them to life.

Wedding Themes Simplify Planning and Get You Bang for Your Buck: 100 Favorite Wedding Themes

Wedding Themes Simplify Planning and Get You Bang for Your Buck: 100 Favorite Wedding Themes

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Wedding Themes Simplify Planning and Get You Bang for Your Buck: 100 Favorite Wedding Themes

Wedding Themes Simplify Planning and Get You Bang for Your Buck: 100 Favorite Wedding Themes

WEDDING THEMES FOR ALL SEASONS

Classic Style: Flowers in urn-shaped vases, tightly manicured hedges, monograms. Chocolate: Chocolate liquor, beef with chocolate and chili mole, chocolate mousse. Brunch: Mimosas, savory quiches, a jazz trio. Cocktail Party: Cityscapes, signature drinks, stilettos. Childhood Home: Garlands on the stAirs, rolled up rugs, Dressingfor your wedding in the room where you grew up. Community: Long tables, young and old sharing the dance floor, making a charitable donation in honor of your guests instead of giving favors. Spheres: Spherical vases, bourbon balls pre-sets on the tables, paper lanterns. Champagne and Cake Reception: Clinking glasses, heart-felt toasts, butter cream frosting. Surprise Wedding: Invitations that throw everyone off the scent, informalwear, champagne toast at the wedding ceremony to announce. Afternoon Tea: Lace huppah, herbed tiered serving platters, sandwiches. VinTAGe: Birdcage veil, bias-cut satin, champagne punch. Simple Elegance: huppah canopy, White gown with simple lines, understated floral arrangeMents. Pot-Luck: Gathering around the huppah, overflowing with buffet tableeveryone's best festive dishes, the heart-felt support of family and friends. Nights in Morocco: Hamsa, gold thread embroidery, a bridal crown. Family: Family members holding your huppah poles, a family slideshow, family-style meal service. Dancing: A dance floor, DJ, friends you can count on to get the Party started when the first song hits. Dessert Reception: Tiered serving plates, passed champagne, chocolate. Hors D'oeuvres Reception: Savory hors d'oeuvres, carefully chosen wine, cocktail atTire. Candy colors: Pastel, candy buffet, candy favors. Country Romance: Lace huppah, wooden tables, sweet tea. Lakeside Wedding: Raising the huppah by the lake, the wedding Dress catching the breeze, The sun or moon reflected in the water. Roses: Rose petals strewn in the aisle, roseswater, heaping bouquets of roses. The Big Tree in the Backyard under the Huppah: tree, tree leaf decorating motif, taking turns on the swing. Paper: Wrapping paper table runners, paper lanterns, paper flower centerpieces. Mini: Mini quiches, mini cupcakes, petite roses. Just Close Family and Friends: Handwritten invitations, shared memories, homemade wedding cake. Candles: A hundred borrowed candlesticks, candle favors, an internal glow. Jewish Artisanal Style: Hand calligraphed ketubot (wedding contract), kiddush cup Yaer Emanuel design, klezmer band. Sparkle: Beaded lace, champagne bubbles, a bride's beaming face. Fiesta: Vibrant colors, Mexican peasant Dresses for the bridesmaids, large paper flowers. How We Met: Food and centerpieces based on the place where you met, thenatural conversation starter: "So, how did you two meet?" FAiry Tale Wedding: Pink roses, tiara, silk satin. Passion Romance: Red roses, chocolate covered strawberries, passion fruit sorbet. Bushel baskets, Farm: tall grass, reception in the barn. Italian Feast: appetizer, Italian wines, cannoli, tiramisu, gelato, cassata, macaroons, pizzelles, panna cotta, zabaglione semifreddo, limoncello, mascarpone frosting ...

SPRING WEDDING THEMES

Spring Greens: Spring green satin pumps, spring green orchids, salad of mixed spring greens. Mixed flower bouquets: Pinks, strawberry punch, blushing bride. Gingham: Bouquets wrapped in gingham ribbon, gingham tableCloths, favor boxes topped with gingham bows. Flowering Trees: Huppah by the trees, flowering branchcenterpieces, flower petals dusting the ground. Berries: A mix of purples, raspberry kir, berries on the wedding cake. Tulle: Tulle details on the wedding dress with tulle, ribbon tied bouquets, candy favors tied up in tulle. Victoriana: bridal bouquet, Posy violets, flower arrangeMents sugared filled to overflowing. Sweet Romance: Shoulder length veil, bridal bouquet, stolen kisses. Tulips: Tulip bridal bouquet, tulip, tulip-skirted centerpieces flower girl dresses. Lag b'omer (Jewish holiday Passover and Shavuot between): Flowering branches, laughter, young love. Lilacs: Purples, lilac table bouquets, the sweet heady lilac scent. : Yellow and white Daisies, daisy bouquets, "... she loves me, she loves me not, she loves me, she loves me not, she lovesme! "

SUMMER WEDDING THEMES

Carnival: Pennant banners, caramel popcorn, ring toss. Garden Party: Layers of stripes and chintz, small full flower arrangeMents, ladies in hats. BBQ: Sweet-smelling smoke, micro-brewed beer, wet naps. Picnic: Gingham tableCloths, fried chicken, potato salad. Tropical: Citrus colors, cool drinks, mango ice cream. Southern Charm: Mint juleps, magnolias, photos on the veranda. CotTAGe garden: Garden tours, leisurely meal, herb garden menu. Stripes: Striped ties, tableCloths, huppah widely striped poles wrapped in ribbon. Hydrangeas: Blues, greens, and purples; linen table cloths; silver flower bowls. Americana: Family photos on the porch, touch football on the lawn, a bonfire. Fourth of July: Stars and stripes,bunting, sparklers. FAiry Garden: Fairy lights reflected in the birdbath, pinks and blues, butterfly wings in the flower arrangements. Lavender: Lavender bouquets, lavender ice cream, lavender sachet favors. Chintz: Rose-themed invitations, chintz overlays on striped tablecloths, overflowing rose bouquets. Lawn Games: Croquet, horse shoes, lemonade. Evening Romance: Raising the huppah at twilight, cello, dinner and dancing under the stars. Calla Lilies calla lilies: Dramatic large, elegant small calla lilies, echoes of Katherine Hepburn's "The calla lilies ahre in bloohm ..." Forest: Moss, tree-branch huppah poles, pinecone place cards. Leis, Luau: piña coladas, hibiscus. Evening in the Garden: Lots of white, lightly sparkling huppah with beaded lace, heaps of candles. FrenchCountryside: Toile, topiaries, garden benches. Beach: Sand, surf, ocean breezes. Midsummer Night's Dream: Twinkly lights, flower garlands, moonlight. Sunset Ceremony: Tiki torches, tiki torches, tiki torches.

AUTUMN WEDDING THEMES

Pomegranates: Pomegranate themed invitations, table setting, deep red pomegranate tablescapes. Apples: Huppah under the apple boughs, sparkling cider, apple centerpieces. Rustic Wooden tables: table runner, hemp, home-made wedding cake. Velvet: Velvet huppah, velvet table runners, red velvet cake. Country Store: Mason jar vases, natural fabric tablecloths, home-made pies. Autumn Harvest: Pumpkins, natural tablescape, a pretty cardigan. Wine Tasting: A knowledgeable sommelier, dark wood, savory hors d'oeuvres. Fruits ofIsrael: the upstairs Marzipan-stuffed dates hors d'oeuvres; broiled figs; centerpieces of pomegranates, figs, grapes, dates, and sheaves of wheat and barley.

WINTER WEDDING THEMES

Hearth and Home: Glowing fire in the Fireplace, family and friends gathered from far and near, warm hugs. New Year's Eve: Champagne, cocktail atTire, glittery golds. Snowflakes: White and blue crystals in the centerpieces, sugar Snowflakes decorating the wedding cake. Glimpses of the Garden: Snow covered trees, red cardinals, cardinal red. Desert Landscape: Long horizons, succulent centerpieces, desert sunset. Greenery: Ruscus green garlands, white flower accents, decorative garland draped on the wedding cake tiers. Hanukkah: Evening ceremony, lighting the Hanukkah, gold-wrapped chocolatecoins scattered on the tables.

WEDDING COLOR THEMES-By Time of Day

DAYTIME WEDDING COLOR THEMES

Orange and Fuchsia bridesmaids ' dresses: Fuchsia, orange and fuchsia bouquets, white table linens. Brown and Green: Moss, pinecones, tree branch huppah poles. French Blue and White tablecloths, French blue white porcelain urn flower containers, touches of brown. Turquoise: Turquoise and Orange, orange flower centerpieces tablecloths, lots of energy. Lavender: Lavender bridesmaids ' dresses, lilac bouquet centerpieces, touches of light grey. White and Navy: Navy suit jackets, Khaki Pants, touches of yellow. White, Ivory, and Creamy Pink: White gown, pink tablecloths, ivory ribbons. Silver Grey, Gold and White: Silver table service,gold brocade table runners, crisp white linens.

EVENING & NIGHT WEDDING COLOR THEMES

Black and White Formal wear, baroque patterns, a touch of bling. Ivory and Gold: Duchess satin fabrics, double-sided satin ribbons, Chiavari chairs. White: Layers of white in a mix of textures, tapers, vanilla bean wedding cake. Fig, Where Grey, White Fig centerpieces, where grey tablecloths, white votive candles. Silver Pewter: pewter Silver bridesmaids ' dresses, organza chair sashes deep grey, pewter goblets. Charcoal Grey: Charcoal grey suit, white rose boutonniere, silver kiddush cup.

Wedding Themes Simplify Planning and Get You Bang for Your Buck: 100 Favorite Wedding Themes

Your Ink Glossary Terms Have Just Been Compiled In Order To Define The Content Of Your Cartridges

If you need some help with ink and printing terms, this section will help you. The following glossary should help you grasp the important concepts that control the art and science of ink usage.

Your Ink Glossary Terms Have Just Been Compiled In Order To Define The Content Of Your Cartridges

Your Ink Glossary Terms Have Just Been Compiled In Order To Define The Content Of Your Cartridges

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Your Ink Glossary Terms Have Just Been Compiled In Order To Define The Content Of Your Cartridges

Your Ink Glossary Terms Have Just Been Compiled In Order To Define The Content Of Your Cartridges

Absorption:

oThe dispersal and decreased transmission of visible light in its interaction with matter, resulting in the change of its color.

Appearance:

oThe nature of objects as visual attributes, such as size, shape, color, texture, glossiness, transparency and opacity.

Attribute:

oColors are often described by their attributes of hue, saturation or chroma, and lightness.

Banding:

oDistinct pattern alterations, rather than a smooth transition of colors or other effects in a gradient. Occurs in continuous tone images when displayed using less than 24 bits of digital information or if printing gradients without sufficient colour information.

Black:

oThe absence of reflected light; the color that is produced when an object absorbs all wavelengths from the light source. When 100% of cyan, magenta and yellow are combined, the resultant color should be black, but in reality produces a muddy gray or brown. Therefore in four-colour process printing, black is one of the process inks. The letter "K" is used to represent black in the CMYK acronym to differentiate it from "B" for blue in RGB.

Brightness:

oThe measureMent of the reflective quality of a medium. Different brightness levels can cause changes in the appearance of color on the medium requiring adjustMents in calibration to achieve optimumresult.

Calibration:

oChecking, adjusting and standardizing the graduation of systematically to device.

Chroma:

oIn visual perception, when an area appears saturated with a particular color or hue. For example, a red apple is high in chroma; pastel colors are low. Black, white and gray have no chroma. Part of the color model, the L * C * H or lightness, chroma, hue. Also referred to as saturation.

CIE:

oCommission International de l'eclAirage or the International Commission on Illumination, which is the main world institution concerned with color and color measureMent.

CMY:

subtractive primaries oThe cyan, magenta and yellow.
Color Calibration:

oCoordination of the color matching between two or more digital devices by means by hardware orsoftware.

Color Curve:

oVisual mechanism in Ph Meter:

oDevice that measures color values in relation to a specific set of standards, such as CIE. Enables measurement of differences in colors more precisely than the human eye.

Cyan:

oThe "redless" process color. It absorbs all red wavelengths and reflects all blue and green wavelengths of light.

Delta-E:

oUnit of measurement of the perceivable difference in a color by the human eye.

DensitoMeter:

oDevice used to measure the density of light by means of its absorption by a substrate or surface of paper or film. This is achieved either by reflection or transmission.

Density:

oThe ability of a material to absorb light. The darker the material, the higher the density.

Digital Printer:

oPrinting device that translates digital data into hard copy output.

Dithering:

oA process that simulates shades of gray or color variations by differing sizes and shapes of pixels groups instead of an ordered array of halftone dots. This reduces the contrast between dots of different colors or shades and yields a more flowing, natural impression.

Dot Gain:

oThe effect that is described when individual dots in a halftone screen or other such patterns print out larger than their intended size, resulting in a darkening of the image.

Dots per Inch (DPI):

oMeasurement that describes the resolution of image files by measuring the number of separate pixels either horizontally or vertically represented in one square inch.

Dye:

oColored chemical that dissolves completely in water or other solvent; as opposed to pigments, which are insoluble.

Dye Sublimation:

oColorprinting technology that produces images by means of gaseous thermal printing dyes through to drivers.
Enhanced Color Gamut:

oWhen precisely diluted process colors cyan and magenta, usually, are used with CMYK to create more vibrant colors and a continuous-tone effect.

Expanded Color Gamut:

oWhen additional colors, usually green and orange, are printed with CMYK to match a greater number of colors than CMYK produced by Halo.

Fluorescent Lamp:

oA glass tube filled with mercury gas and whose inside surface is coated with Ph Meter (Nm):

oThe measurement of wavelengths. Unit of length equal to 109 Meters, or one millionth of a milliMeter.

Opacity:

oDescribes the resistance of light passing through a substrate.

Pantone Matching System (PMS):

oUnique numbering system for identifying colors created by combinations of SWOP standard inks.

Ph Meter:

oAn instrument that measures the characteristics of light that is either reflected from or transmitted through an object.

Spectrum:

oThe spatial arrangement of electromagnetic energy in accordance to size of wavelength.

Spooler:

oThe space where printing data is held in a Computer's memory or hard drive while queuing to a printing device.

Specifications for Web Offset Printing (SWOP):

oFormulations for inks used in web offset presses.

Standard:

oAn established and approved reference against which instrument measurements are evaluated.

Subtractive primaries:

oCyan, magenta and yellow. The theoreticalcombination of the three at 100% strength should produce black on white paper. Their combination at varying intensities produces a gamute of colors. Combining two primaries at 100% creates either the red, green or blue additive primary.

Cyan + magenta = blue. Cyan + yellow = green. Magenta + yellow = red.

Surface Tension:

oThe forces of cohesion at the surface of a liquid which encourage the tendency of a liquid to reduce its exposed surface to the minimum area. Molecules within a liquid are attracted equally from all sides, but those near the surface experience unequal attractions and are thus drawn towards the center of the liquid mass by this net force.

Thermal Drop-on-Demand:

oInkjet printing process where inks are heated in a chamber above the print head to atemperatures greater than their boiling point. The heat alters and expands the characteristics of the ink, which is then expelled through the head onto the substrate.

Tolerance:

oThe acceptable difference between the known correct standard and a set of measured samples. See Delta Error.

Viscosity:

oThe internal resistance to flow exhibited by a fluid.

Visible Spectrum:

oThe region in the electromagnetic spectrum between 380 and 720 nanometers. Wavelengths within this span produces color as viewed by the human eye. Shorter wavelengths create violets, purples and blues, while longer wavelengths result in oranges and reds.

Wavelength:

oMeasurement of light as a component of electromagnetic waves. The wavelength is the peak-to-peak distancebetween two adjacent waves.

Yellow:

oPure yellow is the "blueless" color. It absorbs all wavelengths of blue from light, and reflects all red and green wavelengths.

These brief inkjet word definitions will help you with certain terms of vocabulary which settle on the plateau of ink.

Your Ink Glossary Terms Have Just Been Compiled In Order To Define The Content Of Your Cartridges

Decorate Your Home in an Arts and Craft Style with these Tips

It doesn't matter if you are decorating a single room or a whole house; you'll need to find a decorating style that not only works for your home but also you. Each style forces you to focus in on your likes and dislikes and to learn all of the necessary eleMents which help you achieve your dream home. After all, it is your home. Why shouldn't you express your very unique taste? One style that is making a remarkable comeback in this line of thinking is the Arts and Crafts style.

The Arts and Crafts style of the 20th century was steeped in a shift in the ethics of the time and its style shows it. This style emphasizes the beauty of design created around function and utility instead of simple ornaMentation. Trademarks of this design style include fine craftsmanship instead of a mass-produced look and the use of indigenous woods and metals for hardware. Here are just a few ways you can start to decorate your home in this Arts and Crafts style:
Close your eyes because your about to take a step back in time. Read up and become familiar with names such as William Morris, Gustav Stickley, Dick Van Erp, and CFA Voysey. They were masters of their trade during the Arts and Crafts decorative era. You'll be studying up on their works to find inspiration for truly creative ideas to decorating furniture, wall decorating, textile ideas and lighting. Do a little preparation with how you will be designing your color palate. For an earthy and warm feeling, the natural and subdued tones from the Middle Ages work best. Dusty rose, sapphire blue, mossy green, deep red and burnished brown colors add a touch of contrast to an ivory or cream. Find some wallpaper with either a Gothic or Oriental motifs and hang it in the rooms you want. Large scale designs with repeated pattern wallpaper are tell tale marks of an Arts and Crafts décor style. Use a wooden chAir rail to separate the wall with groove board and wainscoting on the lower half. Choose a hardwood floor with either long boards or parquet squares. Polish or stain them a using a distinctly dark color. For an entrance hall, stone is perfect. Simple and subdued colors work wonders in a bathroom. High traffic kitchens would be hard pressed to find a design that works better than linoleum with geometric designs. This step might be the most difficult only because it will require you to go shopping at a bunch of different place to find the perfect pieces of furniture which matches the look you are trying to attain. If you can find a bookcase or cabinet, then more than likely it will be considered to be a traditional built-in, which was the style back then. ChAirs should have broad backs with arms set far apart. They can also be rectangular in shape trimmed with leather straps or copper and upside down hearts. When it comes to your bedroom, nothing but a four poster bed is acceptable. Time to add the lighting. You really can't go wring with a beautiful tiffany style stained glass lamp which will glow softly against the hammered copper patina base. Decorate all throughout your house using sconces and various table lamps throughout. Now for the finishing touches. Start by adding fruit baskets, stoneware, pottery, jugs, and goblets. In an Arts and Crafts style, pewter, copper, iron, bronze, and silver are almost used exclusively. Some hanging pictures of pastoral and country scenes add a nice flair.

Decorate Your Home in an Arts and Craft Style with these Tips

Decorate Your Home in an Arts and Craft Style with these Tips

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Decorate Your Home in an Arts and Craft Style with these Tips

Photo Polymer Gravure - Creative Process

Photography is as widely diverse as it is a generic medium by which imagery can be exploited and used in various ways but traditionally for the most part lacks the hands on feeling that is imparted and treasured in so many other artistic endeavors such as painting, printmaking sculpture, ceramics, etc. This is in no way to take away from the photographic process because in and of itself photography is and will probably always be a medium that contains an aesthetic quality that is unrivaled in its diversity not to disregard its particular Zen elegance and simplicity. I love photography and have been involved with the medium for close to thirty years as a commercial and fine art photographer, but have never been so enamored as I am today working with photography in the printmaking arena. The printmaking medium is the means by which the photo-sensitive polymer plate is used to access a whole new bag of creative tricks. Printmaking is diverse in tools and modes in which to finalize innovative concepts and imagery. The freedom I have gained working with photographic imagery using light sensitive polymer plates in conjunction with the Printmaking process allows the all important personalized artistic touch to be more easily facilitated and hence realized. The integration of photography and printmaking "Photo-printmaking", initiates the creation of an artistic dialogue that enables the sum to be greater than the parts. Creative process in regards to the particulars' of a medium is greatly influenced by the way in which one interacts with materials, tools and techniques innate to each particular medium.

"The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways." This particular quote is one of many by the great visionary Ansel Adam's and it sums up the relationship between the photographer and the image finalized during the printing process. Today using digital capture and inkjet printers there is now a complete absence of any hands on interface between making the photograph and the final artifact, the digital print. Photoshop is an extremely powerful tool that enables the photographer to interact more precisely while fine tuning photographic imagery than was ever available historically and has exponentially stimulated the evolving sophistication of photography. The fusion of digital photography with all its compleMents into the printmaking realm creates the perfect balance of advanced imaging technology with an age-old hands-on archival fine art process, Printmaking. The bridge that facilitates the synthesis between these two processes is the photo sensitive polymer plate which grounds the digital work flow into a medium that supports the all important expressive aspects of creatively interacting with materials during the printing process as we could when using the Traditional Darkroom. Printing in the Traditional Darkroom is a hands-on process allowing the artist a tangible interaction with the medium promoting the ability to impart an aspect of his or her energetic finesse to the final interpretation of the print. The tactile stimulation that one engenders while interacting artistically with medium stimulates our fundaMental creative dialogue enticing the muse to bring forth her magical gifts.

Digital imaging is a great boon and advancement in regards to photography today but it has created a chasm far greater than the one that existed before when there was only traditional photography using films, developers, toners etc. The ability to take digital imagery into a medium that is an archival fine art medium as diverse as printmaking makes it a perfect marriage for the photographic arts. Today there is a revival of alternate printing mediums in the photographic arts among them are Platinum/Palladium, Van Dyke, carbon printing, collotype, cyanotype, gum bichromate, etc. All of these photo reproduction process are wet darkroom processes that encourage the artist to interact in a corporal manor during the interpretive printing sTAGes of the image much more so than what is possible with direct digital imaging. From my personal point of view, today with the introduction of photo polymer plates that are non toxic as well as having the ability to reproduce photographic imagery on a scale equal with the finest gravure prints, grounded within a traditional fine art medium such as printmaking makes this a stand alone choice for those wishing to get there hands, heart and souls deep into the creative process of printing the fine art image.

Polymer gravure like traditional gravure allows the artist to create prints of unrivaled quality. Photogravure prints have a long elegantly smooth tonal range. The unique quality imparted by a gravure print is due to the way the plate holds a large degree of ink which it imparts through great pressure to fine paper via an etching press. This subtlety of tone, beginning with soft highlights and continuing without a break evolves through a succession of grays ending in a rich black. Many artists have followed in the footsteps of the photogravure process; among them are Alvin Langdon Coburn, Edward Curtis, Paul Strand, Brandt, Brassai etc. Photopolymer plates lend themselves in many diverse ways in which to approach and interact with imagery. Photo shop is still a key factor in tailoring photo images for the polymer gravure process in a creative sense as well as allowing for the facilitation of making the positive transparency fit the contrast range of the polymer materials. The positive is facilitated in the same way as using digital imaging to enlarge negatives for alternative processes. This process is covered in a book by Dan Burkholder "Enlarging the Digital Negative". Photopolymer materials extend the possibility to the artist to create elegant gravure type images or step into the world of creative photo printmaking with digital imagery finalized in an archival fine art medium.

Traditional photogravure is a complex technique. Working with gelatinous tissue, copper plates and etching in ferric chloride add to the intensive labor and high technical skills necessary for the process. Photo Polymer gravure is also an inTAGlio process implying the fact that incisions, depressions and recessed areas are the ink holding portions of the plate. The photopolymer plate has a UV sensitive emulsion. With these plates, water is used to etch into the surface after the emulsion has been exposed through a film positive. The polymer becomes hardened by exposure to ultraviolet light. When the plate is developed in tap water the highlights which have less density on the positive transparency receive more light during the exposure and become harder relative to the less exposed areas hence the highlight portions of the image are less affected than the shadow areas during the etching process. The deeper etched shadow portions of the plate hold more ink thus printing darker values than shallower etched highlight areas. Unlike many of its predecessors the polymer gravure process is a "safer" process in regards to health issues.

Polymer gravure is fundamentally different than traditional photogravure not only in regards to the toxicity found within the traditional gravure process in the past but also with its ease of use. Today it is possible to buy photo-sensitive polymer plates SOLAR PLATES solarplate.com or films IMAGE ON,which can be processed simply using plain water creating an etch in the surface of the plate allowing for the image to be printed on a wide range of fine art papers. The variables one encounters using plates, inks, papers, presses, and other various printmaking techniques allows a welcomed flexibility enabling the artist greater possibilities to exhibit his or her personal sensitivities.

After finishing with the photo shop aspects of image tailoring and the positive transparency is processed one has the possibility to work on the positive with ink washes, litho crayon, or other textural materials to add creative affects if so desired. The incorporation of hand drawn or scanned imagery into the polymer gravure process gives the artist continued possibilities to affect the final feel and content of his works . The possibility of adding a second plate to produce a duotone, incorporate collage, monotype or re-work the final printed surface with charcoal and pastel gives the artist the ability to more readily impart his personal touch to the final work of art. When the print is finalized it needs to be Air dried, flattened and then numbered as to the edition and signed by its maker.

I have been interested throughout my photographic career in diverse ways in which to express myself and in so doing I have become aware of the ways in which medium affects creative process and the final result of ones work. For many years I have also been sculpting and casting in bronze as well as working with ceramics. The diverse applications of my personal artistic endeavors have helped me to realize that tools, medium and the way in which one interacts and relates to variables within an artistic context plays a key role to the feel and production of creative works. Artistic endeavor is a means of expression and communication by which the artist's interaction with his subjective reality is realized in an objective form through the interaction of tools and medium. When one enjoys the process chances are more than not that one will enjoy the results.

I am living in Tuscany and teaching photographic and Polymer Gravure workshops from my home and studio Tuscan Light Photographic Workshops. Have a look at my website for FAQS regarding my teaching schedule, cost etc.

Feel free to contact me when the inspiration strikes! Best David Hoptman

CONTACT INFO:

DAVID HOPTMAN

WEB: http://www.davidhoptman.com

Email: dhstudio@mac.com

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The History of Wine Goblets

I know what your thinking. A goblet is nothing more than a cup. Well, your right. But did you know the history behind this cup goes back to the 1300s. Goblets have been used as far back as the earliest religious ceremonies. Wine has been the primary drink of choice for it and continues to be. In its earlier days it was originally known as a chalice mainly because of its religious symbolism. Another name for it is Kiddush. This is the reciting of a blessing over the wine, prior to eating a festive meal. We are going to go over a little more about its origins so next time you are having people over for some wine you can throw in some neat facts about what you are drinking from.

Nowadays you primarily see them at weddings. The bride and groom use them to toast their guests. Goblets serve two purposes at weddings. They make beautiful accents to the reception's decor and not being a common item are used as a status symbol as well as a dining accessory. What kind of status would depend on what kind you are using. The most popular types at are crystal, gold, and sterling silver. Crystal makes for a nice setting on any table. To say something about your status would depend on where it came from. The Czech Republic produces some of the worlds best crystal and says something about what you think about crystal if you buy it from there. Gold cups are symbolic of family and tradition. There are also goblets made of pewter, if you like pewter, and they're not as expensive as crystal and sterling silver. It is most common for people to give Kiddush cups as gifts for special occasions such as Bar Mitzvahs or weddings. If you're into glass or crystal, wedding goblets are just one among hundreds of items that are manufactured by glass and crystal companies around the world. Some wedding vendors sell goblets made of red glass which will go well with any wine, and at Christmas time, you can take them out of your glass cabinet to grace your dinner table.

Sterling silver goblets have a unique history. One of the most interesting characteristics of a sterling silver goblet is its hallmark. A hallmark is a mark on the item given via a hammer and a punch. Countries have developed their own levels of silver quality. The French typically have the highest silver standards amongst all nations. The French required a silver content 950 parts per thousand. The French hallmark was the head of the goddess Minerva. The Germans are made with 800 parts per thousand and are usually marked with an "800" or "900" on it to show the quality as to which they are made. Other countries such as Russia, Spain, and Italy have developed their own chalices and are equally as nice. The Gorham Company would mark their sterling silver goblets with a Lion Passant, an anchor, and the letter "G" and sometimes with a number to show how many parts per thousands the piece had.

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